Lord of Misrule by Jaimy Gordon: Brief Review and Giveaway

I probably never would have picked up Jaimy Gordon's Lord of Misrule had it not won the National Book Award, but, thankfully, it did. My brief review is below, but more to the point, I'm pleased to have a copy to give to an interested reader. If you'd like to be entered in the drawing, please send an email with the subject line LORD OF MISRULE to readingape AT gmail DOT com. Entries will accepted until Friday March 11th at 11:59 pm EST. 

_________________________________________

There's something about the coexistence of sadness and romance in horse-racing that's hard to pin down; while its halcyon days are long past, horse-racing retains some of the pageantry and mystery that once made it the sport of kings (now the sport of conglomerates and sheiks). 

The recognition and maintenance of this duality is to my mind the central achievement of Jaimy Gordon's Lord of Misrule. Her characters are down and desperate, but not despairing. Hope is kindled by the prospect of a big win, but the hope is on the level of a trailer home to call your own. Few of the characters seem to have any designs on leaving the track and even fewer of the horses possess anything like quality. Even the plot of the novel seems aimless and beside the point; scene and sentiment are as important as success. 

Ultimately it is Gordon's linguistic verdancy that imbues the near-squalor of low-stakes horse-racing with something like nobility. Her casual, unremarked on deployment of a by-gone lexicon resuscitates, however briefly, the possibility of the perfect horse and the transcendent race.

_____________________________________________________

Buy books mentioned in this post (or anything else, actually) using the below links, and The Reading Ape gets a small referral fee to defray our nominal operating costs.

2011 Tournament of Books: The Odds

I've finished reading the complete shortlist just under the wire. I laughed. I cried. I made statistical determinations of greatness. Here's my attempt at book-making for the first half of The Tournament of Books. I'll be posting the rest of the odds Monday morning, just in time for the starting bell on Tuesday. This is also a good time to remind you of the bracket contest happening over at Hungry Like the Woolf. If you're interested in the obsessive thinking I've done already, check out my mutterings on the longlist, the shortlist, and the brackets. Ok, enough of that. Let's do this.

In alphabetical order by title:

Bad Marie by Marcy Dermansky
Chances of winning first round match: 25%
Chances of winning The Rooster: .5%

Excellent first round pairing by The Morning News: Bad Marie is a bizarro Room. Where Room has a mother and child who cannot escape their location or each other, Bad Marie has a nanny and kid who bounce around with little connection to anyone. Room is essentially a conservative book, reifying conventional beliefs about motherhood, child-reading, and how freaky men can be. Bad Marie is libertarian: the main character acts on impulse only, and we get very little sense of what she wants at all. I suspect Jennifer Weiner, the judge for this round who writes books with relatively familiar values, will go for Room. Should Bad Marie emerge from this match-up, it will be because of its seductive, elliptical main character, but this won't be enough to see it through to the end, where bigger, badder sharks  
                                                  swim.

Bloodroot by Amy Greene 
Chances of winning first round: 50%
Chances of winning The Rooster: 1%

Bloodroot has several elements that would seem, at first blush, to turn me off: child protagonists, sections labeled by speaker, agrarian mysticism, violence against women as the inciting incident, and an obvious, banal horticultural metaphor. Still, I found myself strangely compelled. For one, Greene is fantastic with setting and her rendering of life in the foothills of the Appalachians is reason enough to read Bloodroot. I think perhaps a less complicated narrative and an easing-off of the allegorical pedal would serve Greene well; she writes well enough to do without so much, well, art. Bloodroot is not quite as polished as The Particular Sadness of Lemon Cake, but it has a range and richness that The Particular Sadness does not. A sentence-fetishist will pick Bender; a story-seeker will go with Greene. 

The Finkler Question by Howard Jacobsen
Chance of winning first round: 66%
Chance of winning The Rooster: 5%

Man Booker-winning The Finkler Question is a biting and relentless parody/think-piece on the recalcitrance of contemporary anti-Semitism, which is both sublimated and periodically virulent. The main character, the nebulously goyish Julian Treslove, becomes a stage on which Jacobsen dramatizes the banal prejudice against Jews that seems destined to be with us always. It is a sobering and difficult subject that really is only made bearable by Jacobsen's caustic wit. As the title suggests, this novel doesn't have a plot so much as a thought: Jacobsen's meandering dialogue and set-pieces are an exploration of a question that doesn't seem to be going anywhere.

Freedom by Jonathan Franzen
Chances of winning first round: 95%
Chances of winning The Rooster: 33%

Messy, hyped, ambitious, and controversial, Freedom reflects contemporary America just about as well as any novel could. It is not shapely, refined, or transcendent, but frustrating, rich, and fascinating. Freedom is more mimetic than poetic, so it should be no surprise that reactions from the literary community have been schizophrenic. While Freedom was not my favorite novel of 2010, I do think it was the most interesting, and the judges' rulings will say as much about the judges as the work itself. 

Kapitoil by Teddy Wayne
Chances of winning first round: 5%
Chances of winning The Rooster: 0.5%

Another shrewd first-round paring, Kapitoil tells a relatively straight-forward story in a playful and experimental style and is revealing matched here against Franzen's conventional prose and knotty ideas. Even the hyper-logical protagonist of Kapitoil, Karim, seems to serve as a foil for the mushy liberalism of Freedom's Walter Berglund. Kapitoil, in the end, does seem to be a little much art and too little substance; Wayne's relatively benign satire cannot match Freedom's copious vision.  

Lord of Misrule by Jaimy Gordon
Chances of winning first round: 51%
Chances of winning The Rooster: 5%

This book about low-stakes, long-odds horse-racing is no stranger to being a long-shot; after pulling a surprise National Book Award win, Lord of Misrule has kept the momentum to find its way onto several other prestigious short-lists. Lord of Misrule will not be to the common taste; it's a peculiar work about an arcane world. The characters and action are stylized to the point of caricature and the language abstruse to the point of befuddlement. But like an acquired taste, say annis or French Canada, there is charm and pleasure to be found here--for the right reader.

Model Home by Eric Puchner
Chances of winning first round: 20%
Chances of winning The Rooster: .5%

Cross Freedom with the television series Weeds, and I think you'll have a sense of Model Home. It's both funnier than Freedom and weightier than Weeds, but this combination doesn't make the book complex so much as tepid. It's not a mediocre book; it's just that I feel like I've already been to the places it wants to go. 

Next by James Hynes
Chances of winning first round: 50%
Chances of winning The Rooster: 1%

Like Model Home, Next treads some well-travelled ground: the mid-life anxiety of a male American WASP. Next, though, escapes familiarity with a shocking turn that comes well-into the novel. The less said about this the better for would-be readers, but this modern Walter Mitty is forced out of his own head in a serious way. (Side note: this is one of those books that is ill-served by a digital sample, since it plays a long-game before the final payoff. Had I not been determined to make it through all of the shortlist, I probably would have deleted my Kindle sample. I would have continued, however, if I had sunk money into a print edition. This by-product of digital distribution had not occurred to me before). 




_________________________________


That's it for part one: come back Monday morning for the rest of the list.


_________________________________

Buy books mentioned in this post (or anything else, actually) using the below links, and The Reading Ape gets a small referral fee to defray our nominal operating costs.

Dictionary of Fictional Techniques: The Generalized Categorical

I've long admired the formidable Princeton Encyclopedia of Poetry and Poetics. When I was studying poetry early in my graduate education, I coveted my poetry studying colleagues' ability to reference this work to identify and articulate poetic devices and always wanted an equivalent for the close study of fiction.

Unfortunately, I've never run across anything up to scratch. So, I am going to write one. Or at least write one entry for one and then try slowly to add more entries over time. (If any readers out there want to suggest future entries, even just point out something that seems like it might be a technique, let me know and I might write about it).

So here's my first entry (with example), inspired by my current read, Jaimy Gordon's NBA-winning Lord of Misrule:

The Generalized Categorical

Definition: a reference to an unknown, abstract category or condition. Primarily used to describe a specific, elusive quality.

Example 1:
"But she sensed a thread  had been dropped somewhere, the route to some secret heart of this business had been lost"

Example 2:
"Was she some sort of born slave herself, a prostitute in a temple, a hierodule?"

Discussion:
The generalized categorical posits the existence of a class to suggest the membership of the described person, behavior, or condition within that class. In first example, the existence of "some secret heart" ratifies the character's sense "that a thread had been lost somewhere." The generalized categorical need not exist for its descriptive function to work, and indeed it often functions with the reader's express knowledge that it does not.

Consider an slight alteration to "the route to a secret heart of this business had been lost": the switch to the indefinite article moves the sentence into the realm of the actual, rather than the realm of the possible. This leveraging of possibility also invokes a sense of indeterminacy and unknowability; in the above examples, this uncertainty seems at least as important as the specific descriptors.
_____________________________

Any other thoughts on the Generalized Categorical? I'm also thinking about writing a taxonomy of dialogue formats: with and without quotations marks, with dashes, embedded in to paragraphs, etc. So if you can think of a good example of an unusual dialogue format, I'd be really interested to hear about it.

Buy books mentioned in this post (or anything else, actually) using the below links, and The Reading Ape gets a small referral fee to defray our nominal operating costs.